Haiku About Nature

43 poems from the 18 issues of 50 Haikus

Nature haiku are where the form began, and the poems here carry that tradition out onto wide land: prairie, desert, canyon and mountain. Colin W. Campbell stands in tall grass and sees HEAVY SEEDS ON SLENDER STEMS, NOW GREEN TURNING GOLD. The poem holds a whole ripening summer in a single look, and the color change happens right in the last line.

Weather does the work in some of the strongest. Sue Reeves has IRON CLOUDS REACH DOWN and fracture a prairie, with the wind SPINNING SWEETGRASS in the last line, so that violence ends in something that smells good. Joseph Roberts is quieter: an EVENING DESERT BREEZE RISING among the sagebrush, and a SIDEWINDER STIRRING at the end, a snake waking as the heat drops.

Big land, household scale

Fain Rutherford looks at FULVOUS CANYON WALLS that are as smooth and vertical as WIRE-SLICED CHEDDAR. Don Magin sees WHITE COTTON PILLOWS fallen from a blue skybed to SOFTEN CRAGGY PEAKS. The shrinking is the pleasure: a canyon you can slice with a wire is a canyon you can almost hold.

When nature is loud

Erin Castaldi sends a slow-rising full moon over mountains that SCREAM SHADES OF CORAL, a color heard as a sound. Michelle Burchett goes silent in the opposite direction: SAND DUNES CRESTING SILENTLY, with moonlight that WALKS ON WATER.

43 poems

LIGHT WIND IN TALL GRASS

LIGHT WIND IN TALL GRASSHEAVY SEEDS ON SLENDER STEMSNOW GREEN TURNING GOLD
Colin W Campbell
Issue #1, page 27
IRON CLOUDS REACH DOWNFRACTURE THE FALLEN PRAIRIEWIND SPINNING SWEETGRASS
Sue Reeves
Issue #8, page 75

SAGEBRUSH RUSTLING

SAGEBRUSH RUSTLINGEVENING DESERT BREEZE RISINGSIDEWINDER STIRRING
Joseph Roberts
Issue #8, page 77

UTAH HAIKU

FULVOUS CANYON WALLS,DROP-DEAD VERTICAL AND SMOOTH,LIKE WIRE-SLICED CHEDDAR.
Fain Rutherford
Issue #10, page 57

MOUNTAIN CLOUDS

WHITE COTTON PILLOWSFALLEN FROM A BLUE SKYBEDSOFTEN CRAGGY PEAKS
Don Magin
Issue #16, page 49
FULL MOON, SLOW TO RISEMOUNTAINS SCREAM SHADES OF CORALROARING ITS DANCE.
Erin Castaldi
Issue #9, page 73
SAND DUNES CRESTINGSILENTLY THE MOONLIGHTWALKS ON WATER
Michelle Burchett
Issue #8, page 95

POETRY OF EARTH

THE BEAUTIFUL ROSEAPPEARED MAGNIFICENTLYAMONG STINKING WEEDS
Maryam Qureshi
Issue #7, page 43
FOG IS MOVING INPEAKS AND VALLEYS BLANKETEDAPPALACHIANS
Joseph J Kozma
Issue #8, page 41
SUN LIKE A SPIDERSPINS SILK AROUND THE EARTH—MORNING’S GOLDEN DEW
Neil Ellman
Issue #4, page 31
FORGIVE THE RAIN THATFALLS OVER THE SEA BUT NOTON YOUR THIRSTY FIELD.
Mariya Koleva
Issue #1, page 15

A DEER SCENE

IN THE STILL OF GRASSA BROWN BUCK KNEELS FOR RESTHIS HORNS WEAVE THROUGH BRANCH.
Christopher Kenneth Hanson
Issue #1, page 21
Show all 43 poems
FIELDS OVERFLOWFROM A PASSING RAIN-A THOUSAND BIRDS SWIM
BM Ward
Issue #1, page 23
RICE FIELD HARVEST TIMELANDSCAPE AMBIGUITYLESSONS FOR THE HEART
Paul Hellweg
Issue #1, page 69
A FIELD OF MOTIONLESSWINDMILLS- SUN SETSGENTLY TO THEIR BACKS
BM Ward
Issue #1, page 73

OLD OAK

DEW-WET TWIGBROKEN BY WIND.OLD OAK FEELS NOTHING.
Joe Nicholas
Issue #2, page 25
DAWN'S DEWAND WHITE MUSHROOMS WON'TLAST THE DAY
Raymond Gibson
Issue #2, page 29

SKYVILLA WATCHES

SKYVILLA WATCHESANCIENT RAINFORESTS BEYONDITS WELL CARED POOLSIDE
Colin W Campbell
Issue #2, page 45

APPLE OF EARTH’S EYE

DELICIOUS MOTHERBEARS OFFSPRING, FEEDING CHILDRENOF COLLECTIVE WORLD
Linda G Hatton
Issue #2, page 95
SLEEPY FIELDS CONSUMEDTREES GOBBLED BY CONCRETE SLABSJAWS OF PROGRESS
Nells Wasilewski
Issue #4, page 15
HAZY SUNSHINE TURNSROILING FIELDS OF WINTER WHEATINTO A GOLD RUSH
M.J. Iuppa
Issue #4, page 35
MINNESOTA WINDBELLOWS HARD HUNGRY AS ATRAIN THAT WON’T STOP HERE
Genevieve Fitzgerald
Issue #4, page 95

WIND II

BLUSTER OF THE WINDDANDELIONS WITH BALD-HEADSNOD IN UNISON
Bill Melton
Issue #8, page 25

NATURE'S PERFORMANCE

WIND BLOWS MAKING MUSICFLOWERS SWAY IN SUN RAYSDANCING IN THE SPOTLIGHT
Kasha Nystrand
Issue #9, page 97

OCEAN IN AIR

EVENING MIST CREEPSENDLESS VIEWS OF EERIE GLEAMLINGERING TILL DAWN.
Kate Alsbury
Issue #11, page 37
MIDWESTERN BACK ROADSFORESTS, RIVERS, HILLS AND WILDLIFETHEIR HEARTS WIDE OPEN
Ayaz Daryl Nielsen
Issue #11, page 53

CANYON LAKE

GOLD AND BLUE LIGHTS SWIRLTHE STILLNESS OF THE WATERFROGS DISTANTLY SIGH
Kylie Benavides
Issue #11, page 57
FLAGS POP AND SNAPIN A SKY SOFT WITH CLOUDSGULLS RACE THE WIND
Craig Kittner
Issue #11, page 81
DRUMMING ON THE TURFSENDS THE ODD CUPFUL FLYINGRAIN OF HORSES’ HOOVES
Martin Potter
Issue #13, page 12
LOOK BETWEEN THE STARSAT THE WINKING DARK MATTERKEEPING ITS SECRETS
Christopher Hivner
Issue #13, page 19

SHADOWS SWALLOWING

SHADOWS SWALLOWINGCOPPER CANYON WALLSSEPTEMBER SUNSET
Kenneth Salzmann
Issue #13, page 48

CONVERGENCE

FOG SHROUDS THE MEADOW—GELID, HAZY CLOAK QUAILINGAT THE DAWN’S ADVANCE.
Andrea Potyondy-Smith
Issue #14, page 30

AN UNNATURALLY FOGGY BAY

THE FOG SAT ON THE OCEANCONNECTING WATER AND SKY.CREATED DIVISION – NOW ONE.
Tony Roberts
Issue #14, page 36

WATERFALL

FUNNELING WATERA DEEP CERULEAN BLUEOVER BASALT ROCK
Rachel Pond
Issue #14, page 44

FREEDOM

THE HIGH FLYING CLOUDSSAILING ON SCIROCCO WINDSNO EARTHLY RESTRAINTS
Bill Melton
Issue #15, page 12
A CANVAS OF CLOUDSART FOR THE MASSES- WHITE ON BLUE
Roberta Beach Jacobson
Issue #15, page 33

THE BAY OF FUNDY

WIND CARVES ROCK; THE TIDECLEAVES THE LAND AND SEA…WILDNESS.TIME PASSING, AND STILL.
Suzannah Kolbeck
Issue #16, page 8

THE GURGLING STREAM FLOWS

THE GURGLING STREAM FLOWSTHROUGH FIELDS AND WOODS, WINDING ROUND,BUBBLING WITH NEW LIFE.
Duane Anderson
Issue #16, page 14

CLOUDS

SOMETIMES THE CLOUDS SMILE,CURVE AND CRESCENT WITH THE MOON.SOMETIMES THE CLOUDS SWOON.
Bjorn Bengtsson
Issue #16, page 56

PURPOSE

IMPRESSIVE, DISTANTSPLENDID MOUNTAIN PEAKS LOOM TALL,DEMANDING CLIMBERS.
Vivian Nixon
Issue #17, page 33

FIRE ON THE MOUNTAIN

PARCHED OMINOUS WINDSCARRY SCENTS OF BURNING PINESMOUNTAINS TO ASHES
Chuck Wheeler
Issue #17, page 42

DEW

LITTLE RAINBOW ORBSHANG, DELICATE, OFF GREEN BLADES,VANISH WITH SUNRISE.
Kendra Ashcraft
Issue #18, page 24

SKY

CEDARS, SENTIENTGUARDIANS OF THE FORESTPARTING ENDLESS SKY
Alana Rader
Issue #18, page 37

Questions readers ask

What separates a nature haiku from a season haiku?

A season haiku is anchored in the time of year. A nature haiku is anchored in a place or a force, such as wind, rock or open land, and the season may be left out. Many of the poems on this page never name one.

Which pages cover particular parts of nature?

Trees and forests, birds, insects, rivers and lakes, and the ocean each have their own page, and those poems are spread across it. This page is for landscapes, weather in wide spaces and the forms of the land itself.

Does a nature haiku have to be calm?

Not at all. Sue Reeves’s clouds fracture a prairie, and Erin Castaldi’s mountains scream. Calm is common, but the form has room for force.

Do nature haiku need a human in them?

They can do without one, though the best usually leave a trace, such as the comparison to cheddar or a pillow. The human is in the eye that makes the comparison.

More themes to read

FlowersTrees and ForestsRivers and LakesPeace and StillnessAnimalsAll themes

Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.