Haiku About Nature
Nature haiku are where the form began, and the poems here carry that tradition out onto wide land: prairie, desert, canyon and mountain. Colin W. Campbell stands in tall grass and sees HEAVY SEEDS ON SLENDER STEMS
, NOW GREEN TURNING GOLD
. The poem holds a whole ripening summer in a single look, and the color change happens right in the last line.
Weather does the work in some of the strongest. Sue Reeves has IRON CLOUDS REACH DOWN
and fracture a prairie, with the wind SPINNING SWEETGRASS
in the last line, so that violence ends in something that smells good. Joseph Roberts is quieter: an EVENING DESERT BREEZE RISING
among the sagebrush, and a SIDEWINDER STIRRING
at the end, a snake waking as the heat drops.
Big land, household scale
Fain Rutherford looks at FULVOUS CANYON WALLS
that are as smooth and vertical as WIRE-SLICED CHEDDAR
. Don Magin sees WHITE COTTON PILLOWS
fallen from a blue skybed to SOFTEN CRAGGY PEAKS
. The shrinking is the pleasure: a canyon you can slice with a wire is a canyon you can almost hold.
When nature is loud
Erin Castaldi sends a slow-rising full moon over mountains that SCREAM SHADES OF CORAL
, a color heard as a sound. Michelle Burchett goes silent in the opposite direction: SAND DUNES CRESTING SILENTLY
, with moonlight that WALKS ON WATER
.
43 poems
LIGHT WIND IN TALL GRASS
LIGHT WIND IN TALL GRASSHEAVY SEEDS ON SLENDER STEMSNOW GREEN TURNING GOLD
Issue #1, page 27
IRON CLOUDS REACH DOWNFRACTURE THE FALLEN PRAIRIEWIND SPINNING SWEETGRASS
Issue #8, page 75
SAGEBRUSH RUSTLING
SAGEBRUSH RUSTLINGEVENING DESERT BREEZE RISINGSIDEWINDER STIRRING
Issue #8, page 77
UTAH HAIKU
FULVOUS CANYON WALLS,DROP-DEAD VERTICAL AND SMOOTH,LIKE WIRE-SLICED CHEDDAR.
Issue #10, page 57
MOUNTAIN CLOUDS
WHITE COTTON PILLOWSFALLEN FROM A BLUE SKYBEDSOFTEN CRAGGY PEAKS
Issue #16, page 49
FULL MOON, SLOW TO RISEMOUNTAINS SCREAM SHADES OF CORALROARING ITS DANCE.
Issue #9, page 73
SAND DUNES CRESTINGSILENTLY THE MOONLIGHTWALKS ON WATER
Issue #8, page 95
POETRY OF EARTH
THE BEAUTIFUL ROSEAPPEARED MAGNIFICENTLYAMONG STINKING WEEDS
Issue #7, page 43
FOG IS MOVING INPEAKS AND VALLEYS BLANKETEDAPPALACHIANS
Issue #8, page 41
SUN LIKE A SPIDERSPINS SILK AROUND THE EARTH—MORNING’S GOLDEN DEW
Issue #4, page 31
FORGIVE THE RAIN THATFALLS OVER THE SEA BUT NOTON YOUR THIRSTY FIELD.
Issue #1, page 15
A DEER SCENE
IN THE STILL OF GRASSA BROWN BUCK KNEELS FOR RESTHIS HORNS WEAVE THROUGH BRANCH.
Issue #1, page 21
Show all 43 poems
FIELDS OVERFLOWFROM A PASSING RAIN-A THOUSAND BIRDS SWIM
Issue #1, page 23
RICE FIELD HARVEST TIMELANDSCAPE AMBIGUITYLESSONS FOR THE HEART
Issue #1, page 69
A FIELD OF MOTIONLESSWINDMILLS- SUN SETSGENTLY TO THEIR BACKS
Issue #1, page 73
OLD OAK
DEW-WET TWIGBROKEN BY WIND.OLD OAK FEELS NOTHING.
Issue #2, page 25
DAWN'S DEWAND WHITE MUSHROOMS WON'TLAST THE DAY
Issue #2, page 29
SKYVILLA WATCHES
SKYVILLA WATCHESANCIENT RAINFORESTS BEYONDITS WELL CARED POOLSIDE
Issue #2, page 45
APPLE OF EARTH’S EYE
DELICIOUS MOTHERBEARS OFFSPRING, FEEDING CHILDRENOF COLLECTIVE WORLD
Issue #2, page 95
SLEEPY FIELDS CONSUMEDTREES GOBBLED BY CONCRETE SLABSJAWS OF PROGRESS
Issue #4, page 15
HAZY SUNSHINE TURNSROILING FIELDS OF WINTER WHEATINTO A GOLD RUSH
Issue #4, page 35
MINNESOTA WINDBELLOWS HARD HUNGRY AS ATRAIN THAT WON’T STOP HERE
Issue #4, page 95
WIND II
BLUSTER OF THE WINDDANDELIONS WITH BALD-HEADSNOD IN UNISON
Issue #8, page 25
NATURE'S PERFORMANCE
WIND BLOWS MAKING MUSICFLOWERS SWAY IN SUN RAYSDANCING IN THE SPOTLIGHT
Issue #9, page 97
OCEAN IN AIR
EVENING MIST CREEPSENDLESS VIEWS OF EERIE GLEAMLINGERING TILL DAWN.
Issue #11, page 37
MIDWESTERN BACK ROADSFORESTS, RIVERS, HILLS AND WILDLIFETHEIR HEARTS WIDE OPEN
Issue #11, page 53
CANYON LAKE
GOLD AND BLUE LIGHTS SWIRLTHE STILLNESS OF THE WATERFROGS DISTANTLY SIGH
Issue #11, page 57
FLAGS POP AND SNAPIN A SKY SOFT WITH CLOUDSGULLS RACE THE WIND
Issue #11, page 81
DRUMMING ON THE TURFSENDS THE ODD CUPFUL FLYINGRAIN OF HORSES’ HOOVES
Issue #13, page 12
LOOK BETWEEN THE STARSAT THE WINKING DARK MATTERKEEPING ITS SECRETS
Issue #13, page 19
SHADOWS SWALLOWING
SHADOWS SWALLOWINGCOPPER CANYON WALLSSEPTEMBER SUNSET
Issue #13, page 48
CONVERGENCE
FOG SHROUDS THE MEADOW—GELID, HAZY CLOAK QUAILINGAT THE DAWN’S ADVANCE.
Issue #14, page 30
AN UNNATURALLY FOGGY BAY
THE FOG SAT ON THE OCEANCONNECTING WATER AND SKY.CREATED DIVISION – NOW ONE.
Issue #14, page 36
WATERFALL
FUNNELING WATERA DEEP CERULEAN BLUEOVER BASALT ROCK
Issue #14, page 44
FREEDOM
THE HIGH FLYING CLOUDSSAILING ON SCIROCCO WINDSNO EARTHLY RESTRAINTS
Issue #15, page 12
A CANVAS OF CLOUDSART FOR THE MASSES- WHITE ON BLUE
Issue #15, page 33
THE BAY OF FUNDY
WIND CARVES ROCK; THE TIDECLEAVES THE LAND AND SEA…WILDNESS.TIME PASSING, AND STILL.
Issue #16, page 8
THE GURGLING STREAM FLOWS
THE GURGLING STREAM FLOWSTHROUGH FIELDS AND WOODS, WINDING ROUND,BUBBLING WITH NEW LIFE.
Issue #16, page 14
CLOUDS
SOMETIMES THE CLOUDS SMILE,CURVE AND CRESCENT WITH THE MOON.SOMETIMES THE CLOUDS SWOON.
Issue #16, page 56
PURPOSE
IMPRESSIVE, DISTANTSPLENDID MOUNTAIN PEAKS LOOM TALL,DEMANDING CLIMBERS.
Issue #17, page 33
FIRE ON THE MOUNTAIN
PARCHED OMINOUS WINDSCARRY SCENTS OF BURNING PINESMOUNTAINS TO ASHES
Issue #17, page 42
DEW
LITTLE RAINBOW ORBSHANG, DELICATE, OFF GREEN BLADES,VANISH WITH SUNRISE.
Issue #18, page 24
SKY
CEDARS, SENTIENTGUARDIANS OF THE FORESTPARTING ENDLESS SKY
Issue #18, page 37
Questions readers ask
What separates a nature haiku from a season haiku?
A season haiku is anchored in the time of year. A nature haiku is anchored in a place or a force, such as wind, rock or open land, and the season may be left out. Many of the poems on this page never name one.
Which pages cover particular parts of nature?
Trees and forests, birds, insects, rivers and lakes, and the ocean each have their own page, and those poems are spread across it. This page is for landscapes, weather in wide spaces and the forms of the land itself.
Does a nature haiku have to be calm?
Not at all. Sue Reeves’s clouds fracture a prairie, and Erin Castaldi’s mountains scream. Calm is common, but the form has room for force.
Do nature haiku need a human in them?
They can do without one, though the best usually leave a trace, such as the comparison to cheddar or a pillow. The human is in the eye that makes the comparison.
More themes to read
FlowersTrees and ForestsRivers and LakesPeace and StillnessAnimalsAll themes
Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.