Haiku About Humor

36 poems from the 18 issues of 50 Haikus

Humor in haiku succeeds by keeping a straight face. Ray Scanlon sends a WOMAN WINTER-WRAPPED scurrying on SEA LEGS, and the poem saves its punch for the final line, A PENGUIN IN BLACK SPANDEX AND PINK. The comparison is unkind and exact, and the title, Shape-Shifter, lets it land without apology.

The police blotter

Nancy May writes in the voice of a crime report: a SPATE OF BURGLARIES in the garden pond, with MISSING GOLDFISH. Nothing is exaggerated. The humor comes from the official tone applied to a pond. Valentina Ranaldi-Adams does something similar with a single word: IN SUBURBIA A LIVE GOOSE STANDS ON THE ROOF. The word live is the joke, because it implies that the neighbors were expecting a plastic one.

The grade that never comes

Judith Kerman’s poem is titled English Teacher Haiku, and the occupation is the setup. The poem begins with an essay written on a frozen pond, a bird-footprint essay, and ends with a refusal: I WILL NOT GRADE THIS. Only a reader who has marked papers will feel it fully, and everyone else will enjoy it anyway.

When the joke is also a sadness

Miriam Sagan describes how an old couple fight, with the verb CAN'T hanging at the end of one line and REMEMBER arriving alone on the next, the word the whole fight forgot. It is funny because the quarrel goes on without its reason, and a little sad for the same cause.

36 poems

SHAPE-SHIFTER

WOMAN WINTER-WRAPPEDSCURRIES SWAYING ON SEA LEGSA PENGUIN IN BLACK SPANDEX AND PINK
Ray Scanlon
Issue #1, page 49
SPATE OF BURGLARIESIN THE GARDEN PONDMISSING GOLDFISH
Nancy May
Issue #6, page 27
IN SUBURBIAA LIVE GOOSE STANDS ON THE ROOFOF A NEIGHBOR'S HOUSE
Valentina Ranaldi-Adams
Issue #5, page 99

ENGLISH TEACHER HAIKU

WRITTEN ON THE FROZEN POND,A BIRD FOOTPRINT ESSAY.I WILL NOT GRADE THIS.
Judith Kerman
Issue #17, page 39
HOW THEY FIGHTOLD COUPLE WHO CAN'TREMEMBER
Miriam Sagan
Issue #2, page 57

DANCER

GRANDDADDY LONGLEGSHOLLYWOOD COULD HAVE BEEN YOURSBUT YOU COULDN’T DANCE
Bill Melton
Issue #7, page 47
ON THE LAWNWEARING SNOW BOOTSA ROBIN
Nancy May
Issue #5, page 77
WITH FRIENDS LIKE YOU, ROSE,THORNS ‘NEATH LUSCIOUS PETALS, WHONEEDS ANEMONES?
Maggie Irene
Issue #3, page 11
ORANGE MALLOWSAS PRETTY AS ANYTHINGPLANTED ON PURPOSE
Miriam Sagan
Issue #2, page 59

PULP FICTION

PISTOLS, TEQUILA,GAUCHO SUMMERS, MY MORNING:A COMEDY SHOW.
Connor Bjotvedt
Issue #16, page 15
OUT OF POWERA HOUSE OF WIVES GOSSIPYEMPTY BOTTLES
Anna Yin
Issue #2, page 77

EVERGREEN HAIKU

PIPED-FROSTING FORESTCROWDING EACH OTHER FOR SPACE,SHIELDING DIRT-CAKE FLOOR.
Linda G Hatton
Issue #2, page 97
Show all 36 poems

DEFLECT

UMBRELLAS DEFLECTCRITICISM AND TROUBLESSOMETIMES EVEN RAIN
Dennis Herrell
Issue #3, page 49
LIKE YOU I WHY:WHEN EVEN SCRAMBLED I’MGET ME YOU
Christopher Morgan
Issue #3, page 57
VALENTINE'S DAYONE MAN BUYS TWO BOUQUETS OFRED ROSES...
Mary Gunn
Issue #5, page 17

AUTUMN BIRCH

MOTTLED AUTUMN BIRCHLEANING ON THE SKY"NOW IF I WERE YOU..."
Leggett Charles
Issue #5, page 93
SUMMER HEATMY DOG AND I PANTFACING EACH OTHER
John J. Han
Issue #6, page 11

YUM-KUS

RICE, KIMCHI, AND EGGSEGGS, KIMCHI, AND RICE, MORE THANNICE BUT BOON OF LIFE
Kennita Ballard
Issue #6, page 13

LADYBUG

LADYBUG ALIGHTSON MY NOSE AND NOW I SEESPOTS BEFORE MY EYES
Bill W. Melton
Issue #6, page 49
THE MORNING CROW WAKESIT'S CAWS, SO CLOSE TOGETHERTHEY SOUND LIKE LAUGHTER
Jason C. Segarra
Issue #7, page 79

WIND II

BLUSTER OF THE WINDDANDELIONS WITH BALD-HEADSNOD IN UNISON
Bill Melton
Issue #8, page 25

WIPERS OFF

WIPERS OFFAS RAIN SPRINKLESMONET
JR Vork
Issue #9, page 17

SNACKTIME

ANIMAL CRACKERSSHE RESCUES THE ELEPHANTSFROM MY MANELY LIONS
Ron Scully
Issue #9, page 77

THIS SUNDAY MORNING

THIS SUNDAY MORNINGONE EYE OPENED, ONE EYE CLOSEDLOOKING AT THE CLOCK
Tanya Grae
Issue #9, page 85

POBLANO PEPPERS

POBLANO PEPPERSBURNING MY TONGUEHEATED DEBATE
Jackie Maugh Robinson
Issue #9, page 109

IN THE SCUTCH GRASS

IN THE SCUTCH GRASSPOISED, READY-AN AMBUSH OF CATS
Hilde Kiernan
Issue #10, page 49

SUNDAY EVENING

SUN IS SETTING FASTNEW WORK-WEEK WILL BE HERE SOONGOD, PLEASE MAKE ME RICH.
Angela Sargent
Issue #11, page 93

DAYLILY

DAYLILY, WILTED,STILL SOFT—I’M SORRY YOU PASSED.I SHOULD HAVE EATEN YOU.
Connor Bjotvedt
Issue #11, page 95
HUMMINGBIRD HOVERSADMIRING ITS REFLECTIONCAT GRINS UNDERNEATH
Thomas Locicero
Issue #11, page 105

MINUS 15

ICE COLD MONTREALI DREAM OF TAKING A BATHIN HOT BLACK COFFEE
Amy Fish
Issue #13, page 17

SEMANTICS

YOU THINK A NAZIIS A STICKLER FOR GRAMMAR.HOW LUCKY YOU ARE.
Karen Green
Issue #13, page 27

HAIKU #9

THE CLOUDMAKERS SPINCOTTON IN THEIR PUFFED-OUT CHEEKS,HOLDING RAIN LIKE BREATH.
Angela Ostley
Issue #13, page 36

EVERYWHERE DRAGONS

DRAGON CUMULUS,DRAGON MILK SPILL, BLACK TOAST,DRAGON MILDEW…
Ryan Waters
Issue #14, page 23

CAFFEINE

THE WARMTH OF HIS TOUCHKEEPING ME UP LIKE CAFFEINEA BOTTOMLESS CUP
Rachel Zempel
Issue #16, page 22

A FINE JEST

THE FALLING RAIN, HERSECRETS WHISPERED TO THE LEAVESMAKE THE TREES CHUCKLE.
Donald Sutton
Issue #17, page 49

AFTER

LILTING SIDEWAYS, THEDRUNKEN DAFFODILS GIGGLEDRIPPING RAINWATER
Jessica Foster
Issue #18, page 54

Questions readers ask

Is a funny haiku a senryu?

Usually, in the strict sense. Senryu is the cousin of haiku that turns to human nature and often to humor, while haiku traditionally looks to nature and the seasons. In practice the line blurs, and this journal looked only to the content of each poem.

Does a joke need a punch line?

In three lines, the last line is the punch line by default. Notice how many of these poems hold their funniest word until the end: spandex, goldfish, grade.

Does humor weaken a haiku?

No. The form has always had room for comedy, and short, exact observation is how comedy works anyway.

More themes to read

AnimalsWriting and PoetryFood and DrinkFamilyCity LifeAll themes

Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.