Haiku About Society, Justice and War
The poems about society are best when they describe and leave the judgment alone. Vincent Baverso notices A BUM
who SHAVES IN A PUDDLE
, and the last line, BOTH SINK AND MIRROR
, makes the street an apartment. Dean Bowman writes of THEIR CUPPED HANDS EMPTY
and grimy eyes that grope at passersby, concluding that SCARCITY IS KING
. Nobody raises a voice. The poems show, and the reader provides the anger.
Joseph J. Kozma contrasts nature, which is SLEEPING
, with legislators, who are awake. The third line, TIME IS MOVING ON
, is the poem’s verdict. Tyson West writes a court as clothing: a LOOSE FITTING BLACK ROBE
and a RULING'S BINDER
, with RIPPLES AND TWISTS OF DESIRE
in between.
Greg Stidham’s ANCIENT ACNED FACE
is squatting outside a liquor store, with a COINED CAN
at the side, and the poem’s title, Christmas Beggar, says what season it is. Charma writes of OUR MOUTHS FULL
while the thoughts never get as far as feeding THE POOR
, a sentence about talk and hunger.
Letting the details do the arguing
A haiku has no room for a speech, only for a puddle, a can of coins or a robe, and the poems on this page make their case that way.
A new force
Amy Weaver’s poem, titled Freedom, announces WHAT A STRONG NEW FORCE
, describes it as black, white and of a woman, and closes with a question that works as a challenge: WHAT MINORITY?
47 poems
49 STALKS 072
ON MY WAY TO WORKA BUM SHAVES IN A PUDDLEBOTH SINK AND MIRROR
Issue #8, page 83
THEIR CUPPED HANDS EMPTYGRIME-STUNG EYES GROPE PASSERS BYSCARCITY IS KING
Issue #3, page 71
NATURE IS SLEEPINGLEGISLATORS ARE AWAKETIME IS MOVING ON
Issue #7, page 73
JUDGMENT
POEM LOOSE FITTING BLACK ROBERIPPLES AND TWISTS OF DESIRETHE RULING'S BINDER
Issue #2, page 89
CHRISTMAS BEGGAR
ANCIENT ACNED FACESQUATTING OUTSIDE LIQUOR STORECOINED CAN AT HIS SIDE
Issue #9, page 57
OUR MOUTHS FULLTHOUGHTS NEVER SURVIVETO FEED THE POOR
Issue #4, page 41
FREEDOM
WHAT A STRONG NEW FORCE;BLACK, WHITE, AND OF A WOMAN!WHAT MINORITY?
Issue #7, page 81
RETURNING FROM WAR
RETURNING FROM WAR…THROUGH THE STORMNOT JUST THE WILLOWS WEEP
Issue #14, page 33
HANDS TRACE NAMES OF DEAD,WITNESSES TO INFAMY --PEARL HARBOR IN FLAMES.
Issue #15, page 49
BACK TO CHILDHOOD
BALL SKIPPING ON SAND- CHILDREN PRACTICING SOCCERDURING CEASEFIRE.
Issue #9, page 43
SYNAGOGUE:WINE TILES, BURGUNDY CARPET—OUR BLOOD ON THE FLOOR
Issue #15, page 32
RED HAIKU
MOSCOW IN THE SPRINGRED SQUARE GOOSE STEP, SHARPLY RIGGEDMILITARY ROW
Issue #1, page 97
Show all 47 poems
BUSHIDO
MEDITATE ON DEATHTO BE CALM FOR THE STRUGGLE,FIERCE IN THE MOMENT
Issue #6, page 77
BREAKING TRUTHS
MY ASIAN COUSIN,A CHRISTIAN MARINE, CRIPPLEDTHE ANCESTRAL MOLD.
Issue #8, page 17
CHASM OF CONFLICT
A YAWNING ABYSSGAP OF CONTINUITYMADE BY DISRUPTION
Issue #8, page 35
PAST
BUFFALO GHOSTS DANCETUMBLEWEEDS MELT IN GRAY SNOWFISH EAT THE CRICKETS
Issue #9, page 105
HAIKU SONNET
SUNLIGHT ON THE WHEATA THOUSAND ROWS IN HARVESTBOWED HEADS IN BREADLINESHEAVY ON THE STALKBRIGHT EARS OF MAIZE ABOUNDINGEMPTY BOWLS STACKED HIGHDRAINED RICE PADDIES CLEANFULL BASKETS PILED HIGH WITH GRAINBED WITHOUT SUPPERSOYBEAN LEAVES FALLENHEAVY PODS RIPE AND READYA STARVING ORPHANSEVEN BILLION HUNGRY MOUTHSONE FARMER TO FEED THE WORLD
Issue #12, page 21
A CRACK
A CRACK IN THE WORLDDIVIDES US AND THEM – MOTHERGORILLA HUGS YOUNG
Issue #14, page 22
"I BROUGHT THE FIRST STONE"A TRANSGENDERED WOMANTELLS A COUNCIL MEMBER
Issue #5, page 23
SLEEPY FIELDS CONSUMEDTREES GOBBLED BY CONCRETE SLABSJAWS OF PROGRESS
Issue #4, page 15
GIFT
A COAT FOR THE COLDGIFT OF HOPE TO ANOTHERLIGHT SMILES IN TIRED EYES
Issue #2, page 61
CHANGING PLACES
I’D SELL MY BODYPARTS AND HAIR FOR COLD HARD CASHTHOUGH I’D RATHER TRADE
Issue #3, page 21
CROWDED MARKETPLACEWAVES OF BOBBING HEADS ROLL INDROWNING ALL REASON
Issue #3, page 69
NORTH UNMARKEDON HIS MORAL COMPASS,THE NEEDLE SPINS
Issue #3, page 105
GRAFFITI MARSTHE GRANITE CLIFF’S FACE –ROADSIDE CROSS
Issue #4, page 13
LACK OF MONEY KILLSWHILE FINANCIAL WIZARDS RULE,ROCKEFELLER LIVES
Issue #4, page 61
CHOICES?
YOUNG MUM DECIDING –FLUFFY DIAPERS ON THE LINE,OR THE EARTH'S FUTURE?
Issue #5, page 85
ON CHINA’S GREAT WALLNO LONGER UNCERTAINWHICH WAY THE WIND BLOWS
Issue #6, page 71
A BAD SITUATION
POT AND ALCOHOLA TEENAGE BOY IN A CARBAD SITUATION
Issue #7, page 27
NURSING HOME III
WORLDLY POSSESSIONSLOCKER AND IN THREE DRAWERSAND AWAIT THE END
Issue #7, page 45
OUR
OUR ERODED VALUESOUR DESTRUCTION FROM WITHINOUR EXTINGUISHED DREAMS
Issue #7, page 75
LOWER COLUMBUS DRIVE
BLUE SATIN PULLED NEATSMOOTH OVER SIDEWALK MATTRESSONE BLOCK FROM PRIVILEGE
Issue #7, page 87
GAS STATION KLEPTO
PORCELAIN FIGURES,HIDDEN IN PLAIN SIGHT. STICKYFINGERS COVET THEM.
Issue #7, page 89
SEEDS OF WISDOM
THE DROUGHT WITHERED CROPSURROUNDS THE TEARFUL FARMERSEEDS OF WISDOM FALL
Issue #7, page 109
MOURNING HAIKU
BUSHES BLOOM ANEWBUTTERFLIES APPEAR BUT SOMEBLACK MEN WILL STAY DEAD
Issue #10, page 37
THE MORNING GLORYVINE CRAWLS ALONG THE FENCE TOMEET THE NEIGHBOR’S SHEARS
Issue #11, page 13
UNTANGLING LEASHES‒STRANGERS ON THE DOG PARK PATHFINDING COMMON THREADS
Issue #11, page 43
BEACH SCENE
COFFEE CUPS, BEER CANS,CANDY WRAPPERS, UNDERWEAR-STREWN ACROSS THE BEACH
Issue #11, page 55
BARSTOW FROM THE TRACKS
UGLY TRENCH ABOVEOF MUD UNSHAPELY CARVED - YETALIEN STRANGE BELOW.
Issue #12, page 37
AFTER A COUP
IN THE TEA GARDENUNCERTAIN KITTENS TEETERON OLD GREEK COLUMNS.
Issue #12, page 41
SEMANTICS
YOU THINK A NAZIIS A STICKLER FOR GRAMMAR.HOW LUCKY YOU ARE.
Issue #13, page 27
DISCONNECT
THE BLIND CASHIER SMILESA BROKEN SMILE AS I PAYFOR THE MILK AND BREAD.
Issue #13, page 56
UNCOLLECTED TREESCHRISTMAS DISINTEGRATIONROADSIDE DETRITUS
Issue #15, page 37
CHAIN GANG
GOLDEN ORB BLAZINGHEAT SHIMMERING UP IN WAVESORANGE JUMPSUIT CHAFES
Issue #16, page 23
CALIFORNIA FIRE
A CITY IS SIEGEDTRAPPED IN A FIERCE INFERNOMY HEART IS BLEEDING
Issue #17, page 37
HUNGRY
THERE’S NO FOOD TO EATMAYBE THE NEIGHBOR WON’T MINDIF I BORROW SOME
Issue #18, page 15
AVALANCHE
CRUSHED BY THE RUBBLEOF OTHERS’ EXPECTATIONSWAITING FOR RELIEF
Issue #18, page 41
Questions readers ask
Is social commentary allowed in haiku?
Yes. The Japanese tradition has the senryu, which looks at people and their conditions, and this journal looked only to the content of the poem. Poverty and politics fit easily in three lines.
Do these poems offer answers?
Rarely. They show a scene and stop. That is a strength, because a short poem that argues tends to be less persuasive than one that observes.
More themes to read
City LifeWork and MoneyDeathHopeLoss and GriefAll themes
Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.