Haiku About Art and Music

38 poems from the 18 issues of 50 Haikus

Many of the art and music poems here are about mistakes. Devrie Paradowski admires a STUNNING ASCENT and SUCH AURAL LIFT, then notes that the last note was PLAYED INCORRECTLY. David Capps overhears someone TRYING TO FIND AN ART in a pot BROKEN AT HER FEET. Clarise Samuels looks at ROMAN STATUES, armless and BEHEADED, and calls what is left majesty. Jesse Thompson goes all the way: each new coat of paint is ADDED TO ERASE MISTAKES and the goal is only to ATTEMPT BEAUTY.

Art in the world

Judith Lechner looks up at a TWILIGHT SKY and thinks HOKUSAI MIGHT HAVE PAINTED THOSE BLACK BIRDS FLYING. Nancy May files an afternoon stroll under AT THE ART GALLERY and puts it in a bluebell field, a picture hung in the open air. Roberta Beach Jacobson’s CANVAS OF CLOUDS is ART FOR THE MASSES, painted in white on blue.

Craft and sound

Jackie Maugh Robinson hears SOFT CLACKS and sees hands that CARESS THE LOOM. The weaving is music, and the loom is the instrument.

Music in the house

Rich Glinnen hears DRAGGING CHAIRS UPSTAIRS as something that sounds like VIOLINS YAWNING behind a curtain, and Mary Gunn catches A RECOGNIZABLE TUNE drifting down the stairs, with yellow tulips for company.

Naming an artist

A named artist is a shortcut. Say Hokusai and a reader sees waves or a bridge or a flight of birds. It is a cheap trick unless the poem earns it, and Lechner’s does, because the birds are really there.

38 poems

RECITAL

WHAT STUNNING ASCENT.SUCH AURAL LIFT: THE LAST NOTEPLAYED INCORRECTLY.
Devrie Paradowski
Issue #1, page 11

AN ART

I’M TRYING TO FINDAN ART, SHE SAID OF THE POT—BROKEN AT HER FEET.
David Capps
Issue #13, page 46
ROMAN STATUESBROKEN, ARMLESS, BEHEADED—SHATTERED MAJESTY.
Clarise Samuels
Issue #11, page 91

PAINTING

ANOTHER LAYERADDED TO ERASE MISTAKESAND ATTEMPT BEAUTY.
Jesse Thompson
Issue #15, page 50
ON THIS TWILIGHT SKY,HOKUSAI MIGHT HAVE PAINTEDTHOSE BLACK BIRDS FLYING
Judith Lechner
Issue #4, page 85
AT THE ART GALLERYAN AFTERNOON STROLLIN A BLUEBELL FIELD
Nancy May
Issue #6, page 81
A CANVAS OF CLOUDSART FOR THE MASSES- WHITE ON BLUE
Roberta Beach Jacobson
Issue #15, page 33

SOFT CLACKS

SOFT CLACKSHER SUN PATTERNED HANDSCARESS THE LOOM
Jackie Maugh Robinson
Issue #8, page 89

HAIKU 9-17-20

DRAGGING CHAIRS UPSTAIRSSOUND LIKE VIOLINS YAWNINGBEHIND A CURTAIN
Rich Glinnen
Issue #18, page 53
A RECOGNIZABLE TUNEWAFTING DOWN THE STAIRS—YELLOW TULIPS
Mary Gunn
Issue #10, page 69

THE SEASHORE

SHELLS AND DRIFTWOODLINE THE SHORE-THE OCEAN'S ART GALLERY
Rebecca Kane
Issue #8, page 21

HAIKU FOR EPIPHANY

THE SILENT DEAF BOYGENTLY TOUCHED THE ORGAN’S PIPESAND HEARD GOD’S VOICE
Ray Spitzenberger
Issue #13, page 28
Show all 38 poems
HOW PAINT MOVES IN WATERLIKE A RIBBON OR A WEBTO BUILD A COLISEUM
Jack Galmitz
Issue #2, page 39

SONG OF THE MUSE

SONG FELL FROM HIS LIPS ~AND LANDED UPON HER SKIN ~WHERE HE LONGED TO BE
Biff Rushton
Issue #1, page 25
BURNING EMBERS CRASH...PLIABLE YULE LOG LAID LOWPLAYS CHRISTMAS PIANO
Jesus Chameleon
Issue #1, page 47
I NEEDED REDTO DRAW A FIELD FOR BLACK TREESAND A BOG WITH SEATS
Jack Galmitz
Issue #2, page 41

CONSISTENCY OF BEING AWAY

LYRICS LIKE STREWNCARCASSES ON WINDOWPANEDREAM OF FLIGHT, BUT DECAY.
Brandon Campbell
Issue #3, page 27
SIX GRACEFUL SWANSSLOWLY GLIDE BY -BALLET SCHOOL WINDOW
Dan Campbell
Issue #3, page 33

DREAMS

THE DAY DREAM, THE FITARRANGEMENT OF INNER RHYMESELABORATE TONES
Paul Strohm
Issue #4, page 71

SPUN SYMPHONIES

TRITE TASSELS, TIMBRELTONES, LIQUID IVY, LUSTROUSLORE – LIQUORICE GORE.
Aneesha Roy
Issue #6, page 91

RESPLENDENT ASSEMBLAGE

AROMATIC HUES,AMORPHOUS BLUES – SEPIASONGS, LIMPID LAGOONS.
Aneesha Roy
Issue #6, page 109

HARMONY

COFFERED CONSONANTSNATURE’S LABYRINTH ABOVEBIRD’S FLIGHT; PITCH OF A
Grace Black
Issue #7, page 19

THE STAGE

ON STAGE A HEARTEASILY TAKEN AWAY --MASTERS OF MUSIC
Teddy Kimathi
Issue #7, page 29

NEFERTITI IN THE NEUES MUSEUM

THINKING WOMEN SIT ON STONE,CROWNED AND BEJEWELEDIN EVERY MISTAKE.
Laura Rogalsky
Issue #8, page 59

SUMMER JAZZ

SUMMER JAZZIN THE RAFTERS OF THE TRAIN STATIONA CROW'S NEST
Marianne Paul
Issue #8, page 79

WIPERS OFF

WIPERS OFFAS RAIN SPRINKLESMONET
JR Vork
Issue #9, page 17
BABY ELEPHANTSITTING BACK ON ITS HAUNCHES --JAPANESE NETSUKE
Sandra Barnett
Issue #9, page 29

STORM FRONT

STORM FRONTEVERYTHING BLOWING AROUNDLIKE JAZZ
Patrick Meighan
Issue #10, page 51
MOVIE NIGHTFROM A HILLOCKSUNSET
Martha Magenta
Issue #11, page 31

STARS

STARS, BRIGHT FINGERTIPSANGELS PRESSED AGAINST THE GLASSOF THE DISPLAY-CASE
Samuel Diener
Issue #12, page 25

SATURDAY NIGHT

A DIMLY LIT ROOMA VIOLIN SIGHS SOFTLYMARKING ALONE TIME.
Anne Mikusinski
Issue #14, page 17
ODD NEW CROP POINTSTO THE HEAVENS, HARVESTSSIGNALS FROM ORBIT
Robert Beveridge
Issue #15, page 55
LAKESONG’S WET WHISPERWATER’S TONGUE MOVING BENEATHSWIMMING IN MUSIC
F. J. Bergmann
Issue #16, page 35

IN SAVANNAH, GEORGIA

WARM RAINWATER POOLS IN ROUGH POTHOLES.DRAWN UP MURK TRAILS BEHIND THE CARAS IF THE DRIVER HAD ART ON THEIR MIND.
Maggie Maize
Issue #17, page 40
PUNK SONGI'M SIXTEEN AGAINFOR THREE MINUTES
Stephen Curro
Issue #17, page 56

INSPIRATION

HE PRAYS UNDER STARSFOR THE ROSES TO SHOW HIMAN IMMORTAL POEM.
Daniel Blackston
Issue #18, page 51

BONKEI

HANDS MOLD CLAY LANDSCAPESCREATING WORLDS OF BEAUTYART AND MINDFULNESS
Emery Busk
Issue #18, page 57

WINDSONG

THAT SONG MADE WIND SING —AND IT WAS ONLY A CHILDPLAYING WITH BELLS
Jonathan Pettit
Issue #18, page 58

Questions readers ask

Is it fine to name a real artist in a haiku?

Yes. A name brings a whole style with it, and a haiku has little space for description. The risk is that the name does all the work.

Do music poems sound different from art poems?

Often. The music poems lean on sound words, and the art poems lean on color and shape. The loom, the violin and the dragged chairs all give the lines something to hear.

More themes to read

Writing and PoetryFaith and SpiritNatureEvening and NightFood and DrinkAll themes

Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.