Haiku About Art and Music
Many of the art and music poems here are about mistakes. Devrie Paradowski admires a STUNNING ASCENT
and SUCH AURAL LIFT
, then notes that the last note was PLAYED INCORRECTLY.
David Capps overhears someone TRYING TO FIND AN ART
in a pot BROKEN AT HER FEET
. Clarise Samuels looks at ROMAN STATUES
, armless and BEHEADED
, and calls what is left majesty. Jesse Thompson goes all the way: each new coat of paint is ADDED TO ERASE MISTAKES
and the goal is only to ATTEMPT BEAUTY
.
Art in the world
Judith Lechner looks up at a TWILIGHT SKY
and thinks HOKUSAI MIGHT HAVE PAINTED THOSE BLACK BIRDS FLYING
. Nancy May files an afternoon stroll under AT THE ART GALLERY
and puts it in a bluebell field, a picture hung in the open air. Roberta Beach Jacobson’s CANVAS OF CLOUDS
is ART FOR THE MASSES
, painted in white on blue.
Craft and sound
Jackie Maugh Robinson hears SOFT CLACKS
and sees hands that CARESS THE LOOM
. The weaving is music, and the loom is the instrument.
Music in the house
Rich Glinnen hears DRAGGING CHAIRS UPSTAIRS
as something that sounds like VIOLINS YAWNING
behind a curtain, and Mary Gunn catches A RECOGNIZABLE TUNE
drifting down the stairs, with yellow tulips for company.
Naming an artist
A named artist is a shortcut. Say Hokusai and a reader sees waves or a bridge or a flight of birds. It is a cheap trick unless the poem earns it, and Lechner’s does, because the birds are really there.
38 poems
RECITAL
WHAT STUNNING ASCENT.SUCH AURAL LIFT: THE LAST NOTEPLAYED INCORRECTLY.
Issue #1, page 11
AN ART
I’M TRYING TO FINDAN ART, SHE SAID OF THE POT—BROKEN AT HER FEET.
Issue #13, page 46
ROMAN STATUESBROKEN, ARMLESS, BEHEADED—SHATTERED MAJESTY.
Issue #11, page 91
PAINTING
ANOTHER LAYERADDED TO ERASE MISTAKESAND ATTEMPT BEAUTY.
Issue #15, page 50
ON THIS TWILIGHT SKY,HOKUSAI MIGHT HAVE PAINTEDTHOSE BLACK BIRDS FLYING
Issue #4, page 85
AT THE ART GALLERYAN AFTERNOON STROLLIN A BLUEBELL FIELD
Issue #6, page 81
A CANVAS OF CLOUDSART FOR THE MASSES- WHITE ON BLUE
Issue #15, page 33
SOFT CLACKS
SOFT CLACKSHER SUN PATTERNED HANDSCARESS THE LOOM
Issue #8, page 89
HAIKU 9-17-20
DRAGGING CHAIRS UPSTAIRSSOUND LIKE VIOLINS YAWNINGBEHIND A CURTAIN
Issue #18, page 53
A RECOGNIZABLE TUNEWAFTING DOWN THE STAIRS—YELLOW TULIPS
Issue #10, page 69
THE SEASHORE
SHELLS AND DRIFTWOODLINE THE SHORE-THE OCEAN'S ART GALLERY
Issue #8, page 21
HAIKU FOR EPIPHANY
THE SILENT DEAF BOYGENTLY TOUCHED THE ORGAN’S PIPESAND HEARD GOD’S VOICE
Issue #13, page 28
Show all 38 poems
HOW PAINT MOVES IN WATERLIKE A RIBBON OR A WEBTO BUILD A COLISEUM
Issue #2, page 39
SONG OF THE MUSE
SONG FELL FROM HIS LIPS ~AND LANDED UPON HER SKIN ~WHERE HE LONGED TO BE
Issue #1, page 25
BURNING EMBERS CRASH...PLIABLE YULE LOG LAID LOWPLAYS CHRISTMAS PIANO
Issue #1, page 47
I NEEDED REDTO DRAW A FIELD FOR BLACK TREESAND A BOG WITH SEATS
Issue #2, page 41
CONSISTENCY OF BEING AWAY
LYRICS LIKE STREWNCARCASSES ON WINDOWPANEDREAM OF FLIGHT, BUT DECAY.
Issue #3, page 27
SIX GRACEFUL SWANSSLOWLY GLIDE BY -BALLET SCHOOL WINDOW
Issue #3, page 33
DREAMS
THE DAY DREAM, THE FITARRANGEMENT OF INNER RHYMESELABORATE TONES
Issue #4, page 71
SPUN SYMPHONIES
TRITE TASSELS, TIMBRELTONES, LIQUID IVY, LUSTROUSLORE – LIQUORICE GORE.
Issue #6, page 91
RESPLENDENT ASSEMBLAGE
AROMATIC HUES,AMORPHOUS BLUES – SEPIASONGS, LIMPID LAGOONS.
Issue #6, page 109
HARMONY
COFFERED CONSONANTSNATURE’S LABYRINTH ABOVEBIRD’S FLIGHT; PITCH OF A
Issue #7, page 19
THE STAGE
ON STAGE A HEARTEASILY TAKEN AWAY --MASTERS OF MUSIC
Issue #7, page 29
NEFERTITI IN THE NEUES MUSEUM
THINKING WOMEN SIT ON STONE,CROWNED AND BEJEWELEDIN EVERY MISTAKE.
Issue #8, page 59
SUMMER JAZZ
SUMMER JAZZIN THE RAFTERS OF THE TRAIN STATIONA CROW'S NEST
Issue #8, page 79
WIPERS OFF
WIPERS OFFAS RAIN SPRINKLESMONET
Issue #9, page 17
BABY ELEPHANTSITTING BACK ON ITS HAUNCHES --JAPANESE NETSUKE
Issue #9, page 29
STORM FRONT
STORM FRONTEVERYTHING BLOWING AROUNDLIKE JAZZ
Issue #10, page 51
MOVIE NIGHTFROM A HILLOCKSUNSET
Issue #11, page 31
STARS
STARS, BRIGHT FINGERTIPSANGELS PRESSED AGAINST THE GLASSOF THE DISPLAY-CASE
Issue #12, page 25
SATURDAY NIGHT
A DIMLY LIT ROOMA VIOLIN SIGHS SOFTLYMARKING ALONE TIME.
Issue #14, page 17
ODD NEW CROP POINTSTO THE HEAVENS, HARVESTSSIGNALS FROM ORBIT
Issue #15, page 55
LAKESONG’S WET WHISPERWATER’S TONGUE MOVING BENEATHSWIMMING IN MUSIC
Issue #16, page 35
IN SAVANNAH, GEORGIA
WARM RAINWATER POOLS IN ROUGH POTHOLES.DRAWN UP MURK TRAILS BEHIND THE CARAS IF THE DRIVER HAD ART ON THEIR MIND.
Issue #17, page 40
PUNK SONGI'M SIXTEEN AGAINFOR THREE MINUTES
Issue #17, page 56
INSPIRATION
HE PRAYS UNDER STARSFOR THE ROSES TO SHOW HIMAN IMMORTAL POEM.
Issue #18, page 51
BONKEI
HANDS MOLD CLAY LANDSCAPESCREATING WORLDS OF BEAUTYART AND MINDFULNESS
Issue #18, page 57
WINDSONG
THAT SONG MADE WIND SING —AND IT WAS ONLY A CHILDPLAYING WITH BELLS
Issue #18, page 58
Questions readers ask
Is it fine to name a real artist in a haiku?
Yes. A name brings a whole style with it, and a haiku has little space for description. The risk is that the name does all the work.
Do music poems sound different from art poems?
Often. The music poems lean on sound words, and the art poems lean on color and shape. The loom, the violin and the dragged chairs all give the lines something to hear.
More themes to read
Writing and PoetryFaith and SpiritNatureEvening and NightFood and DrinkAll themes
Last reviewed November 2026. Poems are the work of the poets credited and link to their pages in the original issues.